Agent Williams and Maria Hill

Extinguish the Fires

Loki escapes and leaves fires in his wake. The fires trigger the alarms and lock the garage doors. After you handle the mind-controlled agents Loki left behind, go to the pillar with the fire alarm . Shoot the target on the alarm to expose a S.H.I.E.L.D. Access Terminal. Use the terminal to activate the flame suppressant system.

Build and Arm a Vehicle

With the fire extinguished, use the exposed bricks to build a S.H.I.E.L.D. vehicle. The ceiling collapses on a pile of crates, revealing a Technology Panel on the wall . Send Maria Hill to the panel and input the correct code to open a nearby door.

Defeat the mind-controlled agents behind the door, then return to the vehicle. Add a weapon to the vehicle with the new bricks left behind by an earlier motorcycle crash. The first character you place sits in the driver’s seat. The second character jumps in the back and acts as the gunner.

Pursue Loki

The driver controls the vehicle and uses a rocket launcher that fires only directly ahead. The gunner can aim the guns but has no control over the vehicle. (The vehicle moves in a straight line when under computer control). The metal hearts under your character’s portrait show how much damage your vehicle can take.

You face three waves of mind-controlled agents and their S.H.I.E.L.D. vehicles. The first wave has two trucks and three cars to destroy. Watch for their taillights in the darkness ahead. The trucks are more dangerous, so target them first.

Loki pops up and slows your vehicle enough to allow a second wave of mind-controlled agents to overtake your truck. There are two cars and four trucks this time. The driver’s weapon is ineffective in this stretch, so stick with the gunner.

After the second wave is dispatched, Loki appears again and spins your vehicle. A third wave of vehicles appears. This time there are three cars and two trucks to handle. Since Loki spun out your vehicle, this fight takes place in reverse, meaning you must watch for headlights emerging from the darkness. Dust from the collapsing ceiling makes it more difficult to see where to shoot. When the fifth vehicle is destroyed, the scene shifts to the base’s exterior.